FOR broadcaster Charles Hazlewood , the conductor and co-deviser of the Liverpool Phil's current Mozart 250th birthday season, music is very much a people thing.
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THEATRE censorship may well have been abolished in 1968. But almost 40 years on, there are still shows which test the limits - and this is one of them.
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QUITE apart from transforming major galleries into ever more friendly places for youngsters to view art - some of it great - an equal aspect of this beckoning grace is to invite practical participation.
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IAN Tracey, chorus master of the Liverpool Philharmonic for the past 20 years, retains two palpable links with the old vinyl days of big Messiah performances under the likes of Malcolm Sargent and Adrian Boult.
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LIVERPOOL TATE, the Walker, the Lady Lever and all the usual frontrunners of high art have had their noses put out of joint - not least by the guy who put a safety pin through the Queen's nose on a Sex Pistols' album back in '77.
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CRAIG Phillips, prototype Big Brother winner and born-again panto star, has sound advice for the celebrities resident in THAT house for the next fortnight.
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HE'S Britain's most successful playwright since Noel Coward. And Liverpool contributes another substantial slice of royalties to Alan Ayckbourn's Christmas this year.
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