Updated 9:34am 24 November 2012

INTERVIEW: Behind the scenes at Welsh National Opera

Ian Siddall, Cardiff Theatrical Services' scenic art manager, who was born in Liverpool. © Roger Donovan, Media Photos
Ian Siddall, Cardiff Theatrical Services' scenic art manager, who was born in Liverpool. © Roger Donovan, Media Photos

Laura Davis goes behind the scenes at Welsh National Opera, which is bringing three productions to Liverpool next week

One of the few drawbacks of working for WNO is the risk of being spoiled by the company’s purpose-built facilties. It’s rare for an opera house to have such extensive rehearsal space. Elsewhere, casts often have to work in rented halls, which are neither as convenient not as high-spec.

“The facilities here are so much better than most other opera houses,” says soprano Flur Wyn, who stars as Iphis in Jeptha, one of three productions WNO is touring to the Liverpool Empire next week.

Written by Handel in 1751, as he was losing his eyesight, the opera is based on the Old Testament story of a man who promises God that in return for victory in battle he will sacrifice the first creature he meets on his return. Unfortunately, he is met by his only daughter, Iphis.

“It’s a very intense and difficult role emotionally but it’s great to get my teeth into such an interesting character,” says Wyn, who graduated from the Royal Academy of Music in 2006.

“She realises the difficult position her father is in and, because of her love for him, she offers herself up.”

Wyn played the same character in WNO’s original production of Jeptha six years ago. At the time director Katie Mitchell encouraged the cast to improvise scenarios as a way of developing their roles.

“We got to investigate different emotions and it was about working out what fitted the music and drama,” says Wyn.

“This morning we’ve had a very intense rehearsal where we did the scene leading up to the sacrifice and when we had our lunch break we were physically and mentally drained.

“There are a lot of people in the chorus who are parents themselves so for them to imagine what the father’s going through in the story is quite emotionally difficult.

“But, if we experience it fully in these rehearsals, we’ll be able to really control the emotion a little bit better once we’re in performance.

“It’s more powerful to watch someone on stage trying not to cry than seeing them openly weeping.”

WELSH National Opera visits the Liverpool Empire from November 20-24, with Jeptha on November 20, La Boheme on 21, 23 and 24, and Cosi fan Tutte on 22.

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