THE live-action version of Hiroyuki Kitakubo’s animated feature has a battle raging in Tokyo between humans and vampires, the latter dispatched with spurts of cartoonish, computer-generated blood.
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DINOSAURS ruled the Earth for more than 100 million years, but the third instalment of the computer-animated Ice Age series will struggle to reign at the UK box office for more than two weeks.
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BRINGING Jodi Picoult’s challenging novel to the big screen was always going to be a tough task, but director Nick Cassavetes just about pulls it off.
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NOMINATED for the 2008 Academy Award as Best Film In A Foreign Language, Andrzej Wajda’s harrowing war opus addresses a controversial chapter in Poland’s recent history.
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WRITER-DIRECTOR Nick Moran adapts his own acclaimed stage play for the big screen, documenting the rise and fall of pioneering gay British songwriter and record producer Joe Meek, who stormed to the top of the charts on both sides of the Atlantic in 1962 with the titular track.
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BRITISH director Ken Loach shot his latest bittersweet slice of life on location in Manchester, and scores possibly his most mainstream, feel-good hit to date.
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Fresh from playing a football hooligan in Awaydays, a psychotic racist in This Is England, and even Al Capone – Graham, 35, is about to hit the small screen as a mercenary ex-soldier in BBC series Occupation.
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MAN battles the machines once again in an all-guns- blazing reboot of the Terminator series, which sows the seeds of a new trilogy charting John Connor’s rise to leader of the Resistance in the aftermath of Judgment Day.
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AFTER record-breaking box office success with Spider-Man and its sequels, director Sam Raimi returns to horror – the genre which made his name – with this tongue-in- cheek battle for a young woman’s soul.
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BARACK OBAMA – or Bob the Builder – might have immortalised the ultra- positive “Yes, we can” rally cry, but Kevin Sampson has been embodying it for most of his life.
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HISTORY is brought vividly to life with a dazzling array of computer-generated effects in Night At The Museum 2, a soulless exercise in digital might over emotional substance and subtlety.
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