IN THE darker periods of Liverpool theatrical history, when venues were forced into periods of closure for lack of investment, today’s news of a £12.8m grant towards a new Everyman would have had audiences dancing in the aisles.

Post-Capital of Culture the reaction is much more restrained - muted congratulations and a general feeling of “well, we deserved it, didn’t we”.

With five theatres showing performances almost all-year round as well as a range of smaller venues, Liverpool’s theatre scene is more buoyant than it has been in decades and it is only fitting that there should be a new theatre for the future.

With an architectural firm that has a strong reputation for designing cultural venues, the redevelopment promises to retain the essential essence of the Everyman that has made it one of the country’s most famous theatres and launched the careers of so many famous names.

Anyone who has ventured behind the scenes of the Hope Street venue will know that it desperately needs upgraded dressing rooms and increased space backstage.

It is fantastic news too that the redevelopment will provide improved facilities for its Youth Theatre - helping to inspire future generations of David Morrisseys and Cathy Tysons.

While few people will dispute Liverpool’s right to a new theatre, some will regret that the Everyman is being altered at all.

This is not just a resistance to change, but a reflection of the deep affection held for a place that sums up the best features of the city’s character - its creativity, quirkiness and defiant spirit.

Both sides will be able to have their say during the public consultation.