PHILIP PULLMAN’S tale of the little boy in a footman’s uniform, who turns up on the doorstep of a shoemaker and his washerwoman wife with no memory except that he used to be a rat, is a perfectly composed children’s story.Read
IT’S been more than 25 years since The Phantom of the Opera first opened and it remains just as compelling today – not least because producer Cameron Mackintosh is unafraid of making huge changes to such a successful show.Read
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