PHILIP PULLMAN’S tale of the little boy in a footman’s uniform, who turns up on the doorstep of a shoemaker and his washerwoman wife with no memory except that he used to be a rat, is a perfectly composed children’s story.Read
IT’S been more than 25 years since The Phantom of the Opera first opened and it remains just as compelling today – not least because producer Cameron Mackintosh is unafraid of making huge changes to such a successful show.Read
DESPITE what some theatre producers might think, not all successful films can be scooped up and plonked on the stage without losing a lot of what made them appealing in the first place.Read
“WE’RE all in this together,” cries Peter James, leader of the Beige Party as he proclaims his meaningless manifesto to the audience on the opening night of Johnny Come Lately at the Unity Theatre. Peter and his party are a prop from which to launch into this dark comedy.Read
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